(DMTi) Digital MultiTrack interface Overview

Today, more than ever, musical instruments and recording devices must be able to communicate with each other in the digital domain. With this in mind, we created the DMTi Digital MultiTrack interface. Designed for use either with your K2500 or K2600 Series instrument or as a stand-alone digital audio converter, the DMTi is the first Kurzweil product designed specifically to interface with non-Kurzweil digital audio systems in their native formats - at selectable sample rates and full 16-bit resolution.

The 1U rack-mount DMTi transfers data between the K2500/K2600, the Alesis ADAT, the Tascam DA-88 (in their native formats) and almost any other digital audio equipment via the AES/EBU and S/PDIF standards. The DMTi 's digital inputs include eight channels of K2500/K2600 Series, two stereo channels of AES/EBU (one of which is switchable to a stereo channel of S/PDIF optical), and eight channels of ADAT or DA-88.

The converted data may be output digitally via four stereo AES/EBU channels (or three stereo AES/EBU and one stereo S/PDIF optical), eight ADAT or DA-88 channels, eight Kurzweil Digital Stream channels, or one stereo K2500/K2600 return. With the DMTi 's built-in Asynchronous Sample Rate Converters, any of these outputs can sync to an external sample clock or two fixed sample rates - 44.1 kHz (for CD mastering) and 48 kHz.

Using the DMTi with the K2500/K2600

By connecting the DMTi interface to the K2500/K2600, you enable Kurzweil's most powerful production station ever to transfer its digital data quickly and easily to your other digital gear - in the format you choose and at the sample rate you choose. The K2500/K2600 interfaces with the DMTi via the Kurzweil Digital Stream (KDS) connectors. KDS is Kurzweil's proprietary interface system, which will be published to enable third party developers to make their equipment compatible with the K2500/K2600, DMTi , and future Kurzweil products.

Via the DMTi , eight channels of K2500/K2600 data can be sent directly to the Alesis ADAT and the Tascam DA-88, or other systems compatible with their data formats. A simple plug-in card installed in the back of the DMTi configures the output signals for either of these popular formats. (Additional format cards for other digital products will be made available in the future). All eight K2500/K2600 outputs may also be sent to the AES/EBU or optical outputs of the DMTi .

In addition, digital audio can be sent back to the K2500/K2600. For the K2500, a single stereo pair is returned from the DMTi . In addition to this two channel return, for the K2600, eight channels can be sent back into the instrument . All incoming signal can be processed through V.A.S.T. and KDFX.

The DMTi as a Stand-Alone Interface

As a stand-alone unit, the DMTi provides data conversions between AES/EBU, optical, and ADAT or DA-88 digital formats. Four asynchronous sample rate converters inside the DMTi permit any of the inputs to be converted to a different sample rate. A K2500/K2600 is not required for the DMTi 's stand-alone functions.

The DMTi is the first unit ever which enables you to convert DA-88 data to ADAT format and vice-versa. For a complete 8-channel digital transfer between the ADAT and the DA-88, you must use two DMTi units, connecting the KDS output port from one DMTi to the KDS input port of the other (and vice-versa for the second pair of KDS ports). With one DMTi configured for the ADAT and the second for the DA-88, you can convert either format to the other.

A few of the other possible applications include changing the data format on a stereo channel of AES/EBU while the second AES/EBU stereo channel sends the clock rate. Eight tracks of digital data from a multitrack system can be sent to the DMTi and broken out into four stereo AES/EBU outputs with or without sample rate conversion. A 48 kHz DAT track can have its sample rate converted for transfer to a digital multitrack recorded at 44.1 kHz.

Spotlight Features

Sign up for our eNewsletterKurzweil Jobs Board

News

Loading

2013-05-22: Poll Time! Favorite number of keys on a synth/workstation? http://t.co/Dvnu14Po4w

2013-05-03: MP20 v2.22 Released http://t.co/uEENT98G8k

2013-05-03: MPS20 v2.22 Released http://t.co/9K8hEfxvmO

2013-04-29: Eric Frampton's #PC3K8 on GMA stage with #XFactor winner #TateStevens: http://t.co/7tbJilGkKl

2013-04-26: SP4 - Get More Sounds! http://t.co/o6MqnnkiH2

2013-04-18: #MPS10 v2.22 Released http://t.co/xhEcPAQoCX

2013-04-12: #Sara Skinner enters #Kurzweil's Artist Lounge http://t.co/dcotcdmNhE

2013-04-11: #Musikmesse 2013: #PC3K8 + #KORE64 on YouTube http://t.co/710wBFdxZP

2013-04-08: Sweetwater Minute - Nick Gang (Kurzweil) Interview - http://t.co/cpvC6eIeIM

2013-03-29: #PC3K Series Test Drive on YouTube http://t.co/ijlJG4EeUq

2013-03-18: http://t.co/S0uzV1X6ql (Poland) tearing up the new #Kore64 drum kits! http://t.co/TBjTFPRPAy

2013-03-18: PC3/K OS v2.21 Update Released http://t.co/A7WaO7yxzm

2013-03-15: Artist: Alex Wright | Kurzweil http://t.co/MDPt07Pu5C

2013-03-15: Cody Garrett enters Kurzweil's Artist Lounge http://t.co/iY1vg7Gvum

2013-03-15: MP-10 v2.20 OS Update Released http://t.co/mEqRPYNNOi

2013-03-08: #PC3LE Review @ Tonylongmusic - http://t.co/QbvD7JUA9K

2013-03-04: KORE 64 Demo/Review | Full Compass http://t.co/dnlIwMpYpi

2013-02-19: SP5-8 OS 2.20 Released http://t.co/2NmM1sBf

2013-02-15: Join the SP5 Beta Program - contact: fran+sp5@ycrdi.com (must own an SP5 to participate)

2013-02-08: Felipe Miranda enters Kurzweil's Artist Lounge: http://t.co/D9I2YzKy